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Animateur
in Residence during Indelible
Charlie Morrissey
Dance Artist
Dance artist Charlie Morrissey will be working as Animateur in Residence
during the Indelible exhibition.
Trained
in dance and choreography at Dartington College of Arts, Charlie
has been researching, directing, performing and teaching nationally
and internationally for over 15 years. More...
Earlier
this year he began exploring links between his practice and Locard’s
‘exchange principle’. (A brief explanation of the 'exchange
principle' can be found on the What's On?
page of this site).
I
see the body as an instrument of perception and as an expressive
container of its accumulating physical and emotional experience.
Our bodies are living and constantly updated archives of everything
that has happened to us – vast stores of information expressed
and contained in muscles and bones, scar tissue and habit. Each
moment in the life of our bodies is informed by the last and by
the years of physical and emotional moments that preceded it. We
are evidence of our own histories in action.
Furthermore our bodies and minds are in a constant process of exchange;
with other people and our environment - in a dialogue between mind/emotion
and anatomy. Our thinking and feeling are embodied in our physical
make up which in turn shapes our emotions. These elements are inextricably
linked - we are like reactors – constantly firing between
thought, feeling and action – one initiating and imprinting
itself on the others.
I am interested in how information is perceived by the body –
the physical process of knowing and feeling. We seem to know what
we are through a number of different senses – we know that
we are in a body, that we are in space, we see the things that define
that space, we hear the noises that are created by and in it, we
have sensations of cold and warm, we can feel that there is activity
inside the body. We know that 'this is me and that is you', we remember
a past and imagine a future - all through a combination of physical,
cerebral and emotional processes.
During my residency I am investigating the exchange that takes place
in the body between perception, emotion and anatomy, and I’ll
be exploring it through a series of public discussion events and
drop-in activities; Moving Dialogues with artists and other professionals,
and workshops with specific groups of people. I will also be sharing
my thoughts and observations about this residency via my project
space in the gallery and my blog at: www.charliemorrissey.com
Up
and coming events as part of the residency:
Trails & Traces
Sunday 13 April, 2-4pm
In collaboration with Fabrica volunteers, Charlie will lead the
first workshop of a series of drop-in workshops that explore aspects
of the exhibition.
Sunday Lunch Pecha Cucha
Sunday 11 May, 12-2pm
Pecha Cucha (Japanese for chit-chat) is an informal forum for interaction
and exchange that will use the themes of Charlie’s residency
as a starting point. Four ten-minute presentations by Charlie and
three other invited speakers will provide the initial stimulus for
this afternoon event, followed by lunch and chat.
Moving Dialogues is
the term Charlie has given to a series of conversations he is initiating
for the gallery, whereby two people move together as they talk about
the body as a receptacle for experience.
Guests will include Pete Blackaby -
a yoga teacher and osteopath, Scott Smith (dancer and musician),
Mark Walsh (Aikido and Somatics practitioner),
Paul Harrington (artist, performer and
trainee osteopath).
The first of these conversations takes place on Saturday
19 April, 3-4pm, with follow up events planned as follows:
Wednesday 30th April 2pm with Mark Walsh
Monday 5 May 2pm Paul Harrington
Thursday 15 May 2pm with Scott Smith
Due to Pecha Cucha being cancelled on Sunday
8 May, Charlie will be available until 5pm to talk with visitors
about his residency. Refreshments available.
Please feel free to come along, listen, observe and ask questions.
See Charlie's
website for more information about his work and to follow his
blog during the residency at Fabrica.
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